Event Coverage: Lily Hoang’s Farewell ND Reading

Lily Hoang reads from her forthcoming collection UNFINISHED
Lily Hoang reads from her forthcoming collection UNFINISHED

Last week, I had the privilege of attending a farewell reading for South Bend, IN based novelist, Lily Hoang.  Lily received her M.F.A. from the University of Notre Dame in 2006, and has since been living in the area, teaching at St. Mary’s College, and furiously turning out new work.  In 2007, her first book, Parabola, which won the Chiasmus Undoing the Novel Contest, was published, and in 2008, her novel Changing came out from Fairy Tale Review Press.  She also has a chapbook (Mockery of a Cat) out with Mud Luscious and has three forthcoming full-length books in the pipeline: The Evolutionary Revolution (Les Figues Press, 2009/2010), Invisible Women (StepSister Press, 2010), and Unfinished (Jaded Ibis Press, 2012).  Lily’s books are incisive, imaginative and form-bending.  She plays with convention and elasticizes the boundaries of narrative and the space of the page in all sorts of ways.  She’s also well-loved among the members of the Notre Dame Creative Writing community, and has served as a kind of de-facto mentor to many of the current M.F.A. students, so when she recently announced that she is moving to Canada at the end of the year, a couple of my cohorts pooled their resources to throw her a lovely goodbye reading.

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Friends & Neighbors: Cha Issue 9, Kartika Review Issue 6

Our friends at Cha: An Asian Literary Journal and Kartika Review both put up their newest issues last week.  Please head on over to check them out. Here’s quick rundown of the goods in store:

Cha Issue 9
Cha Issue 9

Cha: An Asian Literary Journal celebrates its second anniversary with a stunning 9th Issue, guest edited by Reid Mitchell (poetry) and Jonathan Mendelsohn (prose).  I especially admired the cinematic textures of “Mope,” the second of two poems by Caroline Bird, the earthy resonances of Arlene Kim’s “The Tiger-Brother,” and the deft syntactical footwork of Kate Rogers’ “Sai Ying Pun Sestina.”  Also worth checking out is their Lost Teas section, which features reprinted work that has been “lost” due to the folding of its original place of publication.

Kartika Review Issue 6
Kartika Review Issue 6

Kartika Review‘s Issue 6 is also fantastic, featuring poetry, fiction, and non-fiction by a number of rising Asian American artists.  One of my own poems was selected for this issue, and I am both thrilled and honored that they’ve chosen to include my work in such an exciting lineup.  My personal favorites from Issue 6’s poetry section are Mary Chi-Whi Kim’s “Pyongyang Phantom Feeling, 1952,” for its sharply visceral, arresting imagery, and Lee Minh Sloca’s conversational, but incisive examination of Asian American masculinity in “Just[ice] Please.”  Kartika also just announced its Pushcart nominations.  In poetry, they selected Kenji Liu’s beautifully spare “Letter to Myself as a Newborn” and Ocean Vuong’s intimate elegy, “Dear Vietnam,” both from Issue 5.  Congrats to both poets on this honor!

Many congratulations to both Cha and Kartika on the launch of these new issues.  We admire the work that you’re doing, and look forward to reading what’s next!

http://www.kartikareview.com/issue5/5liu.htm

Weekly Prompt: “We Mustn’t ____ Anymore”

First things first: a shout out to Oliver de la Paz, who unwittingly provided the impetus for this week’s prompt.  Mr. de la Paz, we love what you write!

I’ve been spending a lot of time on Twitter recently in order to keep up with the LR community and last week, I happened to read one of Mr. de la Paz’s Tweets that said:

Oliver_delaPaz mustn’t put two spaces after periods anymore. Oops. Old habits die hard.
11:37 PM Nov 13th from web

The content of the Tweet registered briefly with me (I spent a lot of time this summer having to retrain myself to use one space after periods because my job involved cover copy work), but as the week wore on, I found that the rhythm of that first sentence had, in a strange way, worked itself into my head.  “We mustn’t ____ anymore,” I thought as I washed the dinner dishes.  “We mustn’t_____anymore,” chugged the buses rolling past my apartment on their morning routes.  “We mustn’t ______anymore,” wheezed the teakettle as I brewed my afternoon cup. 

Being haunted by a Tweet (okay, a variation on a phrase from a Tweet) is no easy thing.  It twists itself into your every thought and action, pokes at you until your very footsteps are beating out “We mustn’t_____anymore,” and you feel you must do something with it.  Hence, this week’s prompt.  To Mr. de la Paz: apologies for hijacking your internet musings.  No irreverence was intended. Twitter made me do it!

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This exercise takes its form from both the phrase “We mustn’t ______ anymore” and from Kenneth Koch’s classic poetry exercise for children, in which every line begins with the words “I Wish.”

Prompt:
Write a list poem composed of sentences that begin with “We mustn’t . . . ” and that end with ” . . . anymore.”

Continue reading “Weekly Prompt: “We Mustn’t ____ Anymore””

A Conversation with Luisa Igloria

Luisa A. Igloria and two of her most recent books
Luisa A. Igloria and two of her most recent books

LUISA A. IGLORIA is the author of Juan Luna’s Revolver, recipient of the 2009 Ernest Sandeen Prize (University of Notre Dame, 2009 ); Trill & Mordent, recipient of the 2006 Global Filipino Award for Poetry (WordTech Editions, 2005); and 8 other books. Luisa has degrees from the University of the Philippines (B.A.), Ateneo de Manila University (M.A.), and the University of Illinois at Chicago (Ph.D.), where she was a Fulbright Fellow from 1992-1995. Other awards include Finalist in the 2009 Narrative Poetry Contest, the 2007 49th Parallel Prize from Bellingham Review, the 2007 James Hearst Poetry Prize (North American Review), the 2006 National Writers Union Poetry Prize, the 2006 Stephen Dunn Award for Poetry; and 11 Palanca Awards and the Palanca Hall of Fame Distinction in the Philippines. Originally from Baguio City, she lives in Norfolk, Virginia and is an associate professor on the faculty of Old Dominion University, where she directs the MFA Creative Writing Program. She keeps her radar tuned for cool lizard sightings. Visit her online at her web site or at her blog The Lizard Meanders.

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LR: When did you first decide that you wanted to become a writer, or have you always known?

LI: I’ve always had a love for words, perhaps because my parents taught me to read early ( by age 3 ). I was also raised as an only child by parents who were twenty years apart in age (my dad was 20 years older than my mom)—perhaps this had some bearing on the way I was raised, perhaps not; in any case I remember that they took me with them a lot when they went out or to other friends’ homes to socialize, and would invariably bring a book or two for me so I could occupy myself safely in a corner and not be bored. They loved going to art events, concerts, the movies—we weren’t wealthy but my father would sometimes be able to get complimentary tickets because of work connections, and he would always be sure to include me. They took me to see a group from the Bolshoi ballet with Dame Margot Fonteyn dancing excerpts from “Swan Lake” when I was a second grader and let me stay up past bedtime to do so; but they were also just as excited by musicals like “Showboat” and in fact took me out of school early so we could watch the first run. I always knew that whatever it was I wanted to do, it would involve the work of the imagination. They’d wanted me to be a concert pianist (in fact, I’m named after a Filipina pianist popular back in their day), or a lawyer, like my father.

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Friends & Neighbors: Weekend Roundup (Nov. 13-15, 2009)

For your perusal, a list of interesting literary, arts, and cultural events happening in different cities this weekend. (To add to this list, leave a comment below; we will continue to check back and update it during the next few days).

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Friends & Neighbors: 2009 Asian American Literary Awards

2009 AsAm Literary Awards for Poetry: Winner & Finalists
2009 Asian American Literary Awards for Poetry: Winner & Finalists

In anticipation of their annual literary festival, the Asian American Writers’ Workshop has announced the winners of its 2009 Asian American Literary Awards.  In the poetry category, Sesshu Foster’s World Ball Notebook took top honors, while Monica Ferrell’s Beasts for the Chase and Jeffrey Yang’s An Aquarium were named as finalists.  The contest was judged by poet Cathy Park Hong, Stanford professor Stephen H. Sohn, and Williams College professor Dorothy Wang. Continue reading “Friends & Neighbors: 2009 Asian American Literary Awards”

LR News: Introducing . . . The LR Blog!

Dear Friends,

Welcome to the LR Blog!  The weeks of anticipation are finally over. We’re pleased to announce today’s launch, which coincides with the launch of our full web site and preview of our magazine’s layout.  Please add us to your RSS feeds and spread the word wherever you can!  We have a lot of exciting new content lined up for our first month, including a review of Ching-In Chen’s debut book The Heart’s Traffic and interviews with poet Luisa Igloria and Kundiman founder Joseph Legaspi, but before we begin to post new content, we thought we would take the opportunity to introduce the regular columns that we’ll be running: Continue reading “LR News: Introducing . . . The LR Blog!”