Happy Monday, Lantern Review community! This morning, we’re coming at you with a huge piece of news: as of today, we’re officially knocking the dust off the magazine and are finally (yes, finally!) opening our doors to submissions for our 2019 season. We can’t tell you how good it feels to be able to announce this; it’s our first open reading period in a really long time.
We know this is a development for which many of you have been patiently waiting, so before we say anything else, we’d like to take a moment to thank you—both for your patience and for your continued belief in us and in our work. It’s been your confidence in our mission and your encouragement that has continued to sustain us in these past few years while we’ve been slowly retooling our editorial focus and workflow. And while we can’t say that we’ve got everything figured out (because—let’s face it—we haven’t), we’ve come to realize that more than anything else, it’s the magazine whose absence everyone (including us) has felt the most. The one question that so many of you have faithfully, persistently continued to ask us—at readings, at conferences, at every event we’ve been to in the past four years—has always been this: “When are you going to start taking submissions again?”
Well, we’ve been listening. And we hear you. So today, we’re thrilled to be taking that first step toward bringing the magazine back. I think we can all agree that it’s about time.
Here are the logistical details. Our fall 2018 reading period officially opens today and will run until November 30, 2018. As in the past, we are looking for original poetry and new translations in a wide variety of voices and styles. And we are also eager to receive submissions of visual art and photography. To get a feel for the type of work we like, we suggest that you take a look at our archives—especially our most recent two issues (issue five and issue six).
One more important detail: In the past, we solely accepted submissions through our own, proprietary portal; however, in keeping with current digital practices in the literary world, we’ve decided to adopt Submittable as our new submissions platform going forward. The “Submit” links on our main site and blog will now take you to our Submittable page, where you can find both our guidelines and forms with which to submit your poetry, translations, and artwork. For the first time ever, you’ll also be able to better track your manuscript through our screening process—and we can now even accept multiple files at once for art submissions.
Whether you’re a past contributor or you’ve never submitted to us before, we hope that you’ll consider sending us a poem or two! And just in case you might still be on the fence, here are a few compelling reasons why we think you should send us your work:
Reason #1: It’s free!
We don’t like the idea of missing out on exciting new poetry and artwork just because of a submission fee, so you won’t have to pay to send us your work. Submitting to the magazine during our open reading period is completely free.
Reason #2: We love featuring newer voices alongside more established ones.
We’ve been blessed to have our pages graced by the likes of literary powerhouses like Oliver de la Paz, Amy Uyematsu, Luisa Igloria, Barbara Jane Reyes (among others!) in the past. But we’ve also enjoyed getting to publish emerging writers’ work—Ocean Vuong, for example, is highly successful today, but when we first published his work, he was still several years away from his first full-length collection. All this to say: We love getting to help our readership discover (and, hopefully, fall in love with) newer voices as well as more established ones. We’re conscious of trying to remain an accessible platform for writers with strong poetic voices at every stage of their careers.
Reason #3: We care about design and accessibility.
The visual impact of a poem matters to us. As does the user’s experience of navigating through it online. We love to work with our contributors to ensure that even pieces that float words across white space in complex formations are laid out in a way that honors the poet’s original vision. We don’t just throw the text of your poem into a preset blog template—we hand code each issue to ensure as much consistency among our readers’ experiences as possible, regardless of what browser or device they may be using. Furthermore, as we code, we keep in mind the fact that some of our audience may be using voice readers—and for future issues, we hope to be able to improve upon this further to create an even more accessible reading experience for all.
Intrigued? Head on over to our new Submittable page and send us your best. We can’t wait to read your work!
Cheers to new beginnings,
Iris and Mia
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