{"id":99,"date":"2009-11-13T18:06:07","date_gmt":"2009-11-13T23:06:07","guid":{"rendered":"http:\/\/lanternreview.com\/blog\/?p=99"},"modified":"2009-11-13T18:06:07","modified_gmt":"2009-11-13T23:06:07","slug":"weekly-prompt-directions-to-my-childhood","status":"publish","type":"post","link":"https:\/\/www.lanternreview.com\/blog\/2009\/11\/13\/weekly-prompt-directions-to-my-childhood\/","title":{"rendered":"Weekly Prompt: Directions to My Childhood"},"content":{"rendered":"<p>In 2008, Florida-based poet <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=1667164\">Nick Carbo<\/a> published the\u00a0poem\u00a0&#8220;Directions to My Imaginary Childhood&#8221; in the Norton anthology <em>Language for a New Century: Contemporary Poetry From the Middle East, Asia, and Beyond <\/em>(eds.\u00a0Tina Chang, Nathalie Handal, and Ravi Shankar). \u00a0&#8220;Directions&#8221; sweeps the reader through the bustling streets of Manila and then, in an eerily meta-textual moment, onto the page itself (&#8220;open the door and enter\/ this page and look me in the eye&#8221;). \u00a0It also offers a set of instructions, directions, and pithy observations on the people and places of the speaker&#8217;s childhood; this, for me, was an access point into writing some childhood directions of my own.<\/p>\n<p>As, in a sense, all homelands are a kind of fiction (for more, see Chapter One of Salman Rushdie&#8217;s <em><a title=\"Imaginary Homelands\" href=\"http:\/\/www.amazon.com\/Imaginary-Homelands-Salman-Rushdie\/dp\/0140140360\/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1257551379&amp;sr=8-1\" target=\"_blank\">Imaginary Homelands<\/a><\/em>), <strong>write a poem exploring the sights, smells, and idiosyncrasies of your childhood homeland<\/strong>, whatever your conception of that that space\/time may be. \u00a0Frame your exploration as a set of instructions: tips, insights, observations on how to best navigate the tricky terms of not only childhood in general, but your childhood in particular.<\/p>\n<p>Here is an excerpt from my version of &#8220;Directions to My Childhood.&#8221;<\/p>\n<p style=\"padding-left: 60px;\">If the meat lady catches you lingering by the catfish,<\/p>\n<p style=\"padding-left: 60px;\">Goggle-eying the eels, she\u2019ll pinch; better to watch<\/p>\n<p style=\"padding-left: 60px;\">From behind mother\u2019s grocery bag.<\/p>\n<p style=\"padding-left: 60px;\">\n<p style=\"padding-left: 60px;\">Watch for the sacred beam when you enter.<\/p>\n<p style=\"padding-left: 60px;\">You may think Buddha is in tranquil meditation<\/p>\n<p style=\"padding-left: 60px;\">But a careless foot will cost you.<\/p>\n<p style=\"padding-left: 60px; \">\n<p style=\"padding-left: 60px; \"><em>A crumpled owl found at the bottom of the cage<\/em><\/p>\n<p style=\"padding-left: 60px; \"><em>Fits perfectly in my palm.\u00a0 The backyard fills with parrots,<\/em><\/p>\n<p style=\"padding-left: 60px; \"><em>Slow lorises, spotted turtledoves, and the cold forms<\/em><\/p>\n<p style=\"padding-left: 60px; \"><em>Of a rabbit and her progeny.<\/em><\/p>\n<p style=\"padding-left: 60px; \">\n<p style=\"padding-left: 60px; \">A can is not a good place to bury a bird.<\/p>\n<p style=\"padding-left: 60px; \">You may think a lid will preserve it from decay<\/p>\n<p style=\"padding-left: 60px; \">But when you see the sodden remains\u2014<\/p>\n<p>Though a &#8220;Directions&#8221; poem will generally operate in the instructional mode, you are of course welcome to explore alternative ways of framing your narrative. \u00a0Take seriously the notion that all homelands are&#8211;or quickly become&#8211;imagined spaces, and allow this to authorize creative moves you might not otherwise consider in a poem. \u00a0Have fun with this, and good luck! \u00a0Please consider posting an excerpt or entire poem here for the Lantern Review blog community to read&#8211;we would love to see your responses.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2008, Florida-based poet Nick Carbo published the\u00a0poem\u00a0&#8220;Directions to My Imaginary Childhood&#8221; in the Norton anthology Language for a New Century: Contemporary Poetry From the Middle East, Asia, and Beyond (eds.\u00a0Tina Chang, Nathalie Handal, and Ravi Shankar). \u00a0&#8220;Directions&#8221; sweeps the reader through the bustling streets of Manila and then, in an eerily meta-textual moment, onto [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[13],"tags":[62],"_links":{"self":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/99"}],"collection":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":13,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"predecessor-version":[{"id":254,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/99\/revisions\/254"}],"wp:attachment":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/tags?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}