{"id":7773,"date":"2018-09-05T08:00:27","date_gmt":"2018-09-05T15:00:27","guid":{"rendered":"http:\/\/www.lanternreview.com\/blog\/?p=7773"},"modified":"2018-09-05T02:05:26","modified_gmt":"2018-09-05T09:05:26","slug":"four-fresh-and-forthcoming-apa-poetry-collections-to-enjoy-this-fall","status":"publish","type":"post","link":"https:\/\/www.lanternreview.com\/blog\/2018\/09\/05\/four-fresh-and-forthcoming-apa-poetry-collections-to-enjoy-this-fall\/","title":{"rendered":"Four Fresh and Forthcoming APA Poetry Collections to Enjoy This Fall"},"content":{"rendered":"
\"Four
Clockwise from top left: A CRUELTY SPECIAL TO OUR SPECIES, ISAKO ISAKO, THE ONLY COUNTRY WAS THE COLOR OF MY SKIN, YOU DARLING THING<\/figcaption><\/figure>\n

As summer comes to a close, we wanted to alert you to a number of exciting collections by Asian American poets that are forthcoming this fall. These poems are both luminous vessels of time travel and crucial artifacts of our milieu. They are guides that point out the boundaries between worlds and identities and\u2014with a sleight of hand\u2014expose a hidden latch, revealing unseen horizons. We hope these poets’ offerings of sight, memory, and sound will help to sustain you this autumn. May they inspire you to continued resistance and resilience.<\/span><\/i><\/p>\n

* * *<\/span><\/i><\/p>\n

A Cruelty Special to Our Species<\/i><\/b><\/a> by Emily Jungmin Yoon (HarperCollins, Sept 2018)<\/b><\/p>\n

Emily Jungmin Yoon\u2019s collection is a persistent and lucid study of sexual violence, colonization, and war. Over and over, Yoon deploys language, documents its destruction. She returns to mourn; she collects the remains. At the heart of her project is \u201cTestimony,\u201d a section that gathers the stories of Korean women who survived Japanese occupation. In another sequence, \u201cAn Ordinary Misfortune,\u201d the speaker asks, \u201cHow could I put a child in a haunted place.\u201d This question resounds throughout the pages of her collection, relentless, resilient, and shapeshifting as Yoon\u2019s lyric \u201cI.\u201d <\/span><\/p>\n

You Darling Thing<\/i><\/b><\/a> by Monica Ferrell\u00a0<\/b>(Four Way Books, Oct 2018)<\/b><\/p>\n

Sardonic and erotic, Monica Ferrell\u2019s second collection reads like a <\/span>t\u00eate-\u00e0-t\u00eate<\/span><\/i> gone rogue. Given voice, brides and beloveds come alive, unbraiding their limbs from Flaubert, Duchamp, and Tolstoy. Once stripped bare, now decked in furs, the women of Ferrell\u2019s poems stalk and stomp, recognizing the bridegroom\u2019s cry for what it is: \u201ca lost boat\u2019s foghorn bleating.\u201d <\/span>You Darling Thing <\/span><\/i>arranges the savage dance of courtship, only to split the social contract of marriage: \u201cA woman alone is a cave of violets, \/ A man alone a squirming rat, who squeaks.\u201d<\/span><\/p>\n

The Only Country Was the Color of My Skin<\/i><\/b><\/a> by Kathleen Hellen (Saddle Road Press, Oct 2018)<\/b><\/p>\n

The Only Country Was the Color of My Skin<\/span><\/i> knits poetry with prose, Tokyo with Manzanar. Probing an elusive Japanese American identity and reaching deep into traditional Japanese poetic forms, past <\/span>LR<\/span><\/i> contributor Hellen writes boldly, \u201cI have a mouth to tell my story.\u201d The result is a hybrid collection that acts as star chart for the present and enacts a communion with the past.<\/span><\/p>\n

Isako Isako<\/i><\/b><\/a> by Mia Ayumi Malhotra (Alice James Books, Sept 2018)<\/b><\/p>\n

We’re beside ourselves with excitement for our very own founding editor Mia Ayumi Malhotra, whose first collection just hit shelves yesterday! Inspired by the stories of Malhotra\u2019s own grandmother and great-grandmother, <\/span>Isako Isako<\/span><\/i> grapples with Japanese incarceration and American occupation, as well as mass displacement and transnational migration.<\/span> Four generations of women reach across lost decades and burning cities, and they convene in the poems to brush palms, slip tissues, and share war rations. When her speaker calls out, \u201cIsako Isako are you leaving me. How much longer Isako will you remember me,\u201d Malhotra sets forth a yearning that knows no bounds\u2014after all, as the poems remind us, survival is nothing without remembrance. <\/span><\/p>\n

The Bindery in San Francisco will be hosting a <\/span>launch<\/span><\/a> event for <\/span>Isako Isako<\/span><\/i> this evening, September 5, where the author will be joined by Jennifer S. Cheng (author of <\/span>Moon: Letters, Maps, Poems<\/span><\/i>)<\/em> as well as experimental improv drummer Paul Sakai. If you\u2019re local to the Bay Area, we hope you\u2019ll consider coming out to celebrate our Mia with us!<\/span><\/p>\n

* * *<\/span><\/p>\n

I<\/span><\/em>n this season<\/em> of harvest, what collections are on your reading list? Which poets and what images do you find yourself returning to? Share them with us in the <\/span><\/i>comments or let us know on <\/span><\/i>Twitter<\/span><\/i><\/a>, <\/span><\/i>Facebook<\/span><\/i><\/a>, or <\/span><\/i>Instagram<\/span><\/i><\/a> (@LanternReview).<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

As summer comes to a close, we wanted to alert you to a number of exciting collections by Asian American poets that are forthcoming this fall. These poems are both luminous vessels of time travel and crucial artifacts of our milieu. They are guides that point out the boundaries between worlds and identities and\u2014with a […]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[1160],"tags":[1162,1161,1165,559,617,37,1143,1164,1163],"_links":{"self":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/7773"}],"collection":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/comments?post=7773"}],"version-history":[{"count":8,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/7773\/revisions"}],"predecessor-version":[{"id":7783,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/7773\/revisions\/7783"}],"wp:attachment":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/media?parent=7773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/categories?post=7773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/tags?post=7773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}