{"id":6760,"date":"2013-05-17T17:00:18","date_gmt":"2013-05-17T21:00:18","guid":{"rendered":"http:\/\/www.lanternreview.com\/blog\/?p=6760"},"modified":"2013-05-17T08:43:42","modified_gmt":"2013-05-17T12:43:42","slug":"curated-prompt-aimee-nezhukumatathil-the-world-is-full-of-paper-writing-epistolary-poems-epistles","status":"publish","type":"post","link":"https:\/\/www.lanternreview.com\/blog\/2013\/05\/17\/curated-prompt-aimee-nezhukumatathil-the-world-is-full-of-paper-writing-epistolary-poems-epistles\/","title":{"rendered":"Curated Prompt: Aimee Nezhukumatathil &#8211; &#8220;The World is Full of Paper: Writing Epistolary Poems (Epistles)&#8221;"},"content":{"rendered":"<figure id=\"attachment_5724\" aria-describedby=\"caption-attachment-5724\" style=\"width: 302px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/05\/Project_993201-EDITED-DSC_0039-2592x3872px.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-5724   \" alt=\"Aimee Nezhukumatathil\" src=\"https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/05\/Project_993201-EDITED-DSC_0039-2592x3872px-685x1024.jpg\" width=\"302\" height=\"452\" srcset=\"https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/05\/Project_993201-EDITED-DSC_0039-2592x3872px-685x1024.jpg 685w, https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/05\/Project_993201-EDITED-DSC_0039-2592x3872px-200x300.jpg 200w\" sizes=\"(max-width: 302px) 100vw, 302px\" \/><\/a><figcaption id=\"caption-attachment-5724\" class=\"wp-caption-text\">Aimee Nezhukumatathil<\/figcaption><\/figure>\n<p><em>In celebration of APIA Heritage Month, we\u2019re continuing our annual tradition of asking respected teachers and writers of Asian American poetry to share favorite writing exercises with us on successive Fridays during May. This week\u2019s installment was contributed by <a title=\"Aimee Nezhukumatathil\" href=\"http:\/\/www.aimeenez.net\" target=\"_blank\">Aimee Nezhukumatathil<\/a>.<\/em><\/p>\n<p><span style=\"color: #000000;\"><strong><em>Stationery<\/em><\/strong><\/span><br \/>\n<span style=\"color: #808080;\"><em> by Agha Shahid Ali<\/em><\/span><\/p>\n<p><span style=\"color: #808080;\"><em>The moon did not become the sun.<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> It just fell on the desert<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> in great sheets, reams<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> of silver handmade by you.<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> The night is your cottage industry now,<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> the day is your brisk emporium.<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> The world is full of paper.<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em> Write to me.<\/em><\/span><\/p>\n<p><b>The Context<\/b><\/p>\n<p>The hand-lettered envelope. The canceled stamp. The tooth of the paper that nibbles the ink. The epistle is a type of poem that underscores the best intimacies that can arise from a letter: the measured and focused address to a specific recipient. In a world that values the addictive glow of a screen, the speedy text message, the quick hello and check-in\u2014much can be gained and admired in a poem that follows the ancient and simple form of a letter.<\/p>\n<p>The word epistle comes from the Latin word (<i>espistula<\/i>) for letter. In the Middle Ages, the art of letter writing was often taught as a necessity for building community and encouraging discourse. In fact, the writing of epistles was actually amplified as old road structures began to decay and crumble. Travel became increasingly difficult\u2014people soon relied on letter writing to conduct and negotiate business in place of making a claim in person. Another variation of the epistle is one that Ovid himself employed\u2014epistles as a way to explore persona. In his <i>Heroides<\/i>, he imagines letters written by neglected or abandoned heroines of Greek mythology: writing as Penelope to Odysseus, writing as Helen to Paris, as Medea to Jason.<\/p>\n<p>When is the last time you opened your mailbox and found a bona fide hand-written letter? So much of mail these days is \u2018sad mail\u2019\u2014coupon flyers, missing children notices, bills, sweepstakes packets. But oh the joy and delight when you find your name written by a friend or loved one\u2019s hand! Or the surprise and mysterious architecture of a handwriting you\u2019ve never seen before! When was the last time you <i>wrote<\/i> a letter?<\/p>\n<p><b>The Exercise<\/b><\/p>\n<p><strong>Feel free to mimic the relationship uncovered within most epistles\u2014the letter poem is addressed to someone \u2018you\u2019 can\u2019t talk to for whatever reason\u2014the person is far away or deceased or famous, or even someone you know well, but you can\u2019t say what needs to be said in real life. It should be clear to the reader who is being addressed within the title or the first few lines. There are no meter or rhyme rules for this form. This type of poem is more of a vehicle to explore persona and voice.<\/strong><\/p>\n<p><strong>Still stuck? Write an epistle to any of the following: 1) an animal or plant, 2) yourself, ten years ago, 3) yourself, twenty years ago 4) your beloved, twenty years ago, 5) a future version of you, even if the future you imagine is simply \u2018tomorrow\u2019 6) a company or corporation 7) one of the seven deadly sins or virtues (ie. Dear Lust,\u2026 or Dear Patience,\u2026) 8) your zodiac or birthstone 9) your favorite \u201cguilty pleasure\u201d food or 10) the city you call \u2018home\u2019 in all its complicated and wondrous glory.<\/strong><\/p>\n<p><b>The Why<\/b><\/p>\n<p>I\u2019ve found that writing a poem TO someone (or some-<i>thing!<\/i>) makes the edges of imagery focus crisper into view. And in that focused state, the epistle begins to tighten up the rest of the poem\u2019s language so that a distinct persona emerges and establishes a clear and immediate tone and mood in ways that other poems might not. And yet, writing a letter to a stranger takes the innate intimacy of an epistle a step further: it requires the invention of an imagined other (even if the person exists, he\/she is still being imagined), and it fashions a sort of detailed handiwork about <i>why<\/i> we might find ourselves wishing to talk to them. And isn\u2019t that such a good and necessary occupation, a welcome slowing down and stepping away from a handheld device or screen? I like to think of writing epistles as a writing towards\u2014and attempting to love, or at least recognize\u2014the strangers that live inside each of us.<\/p>\n<p><b>For More Inspiration:<br \/>\n<\/b><\/p>\n<p><a title=\"&quot;Frame, an Epistle&quot; by Claudia Emerson\" href=\"http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/31100#poem\" target=\"_blank\">\u201cFrame, an Epistle,\u201d by Claudia Emerson<\/a><\/p>\n<p><a title=\"&quot;note, passed to superman&quot; by Lucille Clifton\" href=\"http:\/\/www.math.buffalo.edu\/~sww\/clifton\/poems-LC.html#lc3\" target=\"_blank\">\u201cnote, passed to superman,\u201d by Lucille Clifton<\/a><\/p>\n<p><a title=\"&quot;Letter to Simic from Boulder&quot; by Richard Hugo\" href=\"http:\/\/edwardbyrne.blogspot.com\/2007\/08\/richard-hugos-letter-to-charles-simiv.html\" target=\"_blank\">\u201cLetter to Simic from Boulder,\u201d by Richard Hugo<\/a><\/p>\n<p><a title=\"&quot;As Children Together&quot; by Carolyn Forche\" href=\"http:\/\/mypage.siu.edu\/puglove\/together.htm\" target=\"_blank\">\u201cAs Children Together,\u201d by Carolyn Forch\u00e9<\/a><\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p><em><strong><a title=\"Aimee Nezhukumatathil\" href=\"http:\/\/www.aimeenez.net\/\">Aimee Nezhukumatathil<\/a>\u00a0<\/strong>is professor of English at State University of New York\u2013Fredonia, where she teaches creative writing and environmental literature.\u00a0She is the author of three poetry collections:\u00a0<\/em><a title=\"Lucky Fish\" href=\"http:\/\/aimeenez.net\/2011\/books\/lucky-fish\/\" target=\"_blank\">Lucky Fish<\/a><em> (2011), winner of the gold medal in poetry from the Independent Publisher Book Awards and the Eric Hoffer Grand Prize for Independent Books;\u00a0<\/em><a title=\"At the Drive-in Volcano\" href=\"http:\/\/aimeenez.net\/2007\/books\/at-the-drive-in-volcano\/\" target=\"_blank\">At the Drive-In Volcano<\/a><em> (2007), winner of the Balcones Prize; and\u00a0<\/em><a title=\"Miracle Fruit\" href=\"http:\/\/aimeenez.net\/2003\/books\/miracle-fruit\/\" target=\"_blank\">Miracle Fruit<\/a><em> (2003), winner of the Tupelo Press Prize, <\/em>ForeWord<em> magazine\u2019s Book of the Year Award, the Global Filipino Award. Poems and essays are widely published in venues such as\u00a0<\/em>Tin House, Ploughshares, Orion, New England Review, Prairie Schooner<em>, and noted in\u00a0<\/em>Best American Essays<em>. Other honors include a poetry fellowship from the National Endowment for the Arts and the Pushcart Prize. She lives in Western New York in the middle of berry country with her husband and young sons.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In celebration of APIA Heritage Month, we\u2019re continuing our annual tradition of asking respected teachers and writers of Asian American poetry to share favorite writing exercises with us on successive Fridays during May. This week\u2019s installment was contributed by Aimee Nezhukumatathil. Stationery by Agha Shahid Ali The moon did not become the sun. It just [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[627,13],"tags":[214,212,971,860,213,72],"_links":{"self":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/6760"}],"collection":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/comments?post=6760"}],"version-history":[{"count":26,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/6760\/revisions"}],"predecessor-version":[{"id":6787,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/6760\/revisions\/6787"}],"wp:attachment":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/media?parent=6760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/categories?post=6760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/tags?post=6760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}