{"id":5107,"date":"2012-01-27T07:00:30","date_gmt":"2012-01-27T12:00:30","guid":{"rendered":"http:\/\/lanternreview.com\/blog\/?p=5107"},"modified":"2012-01-26T13:25:14","modified_gmt":"2012-01-26T18:25:14","slug":"friday-prompt-writing-from-film","status":"publish","type":"post","link":"https:\/\/www.lanternreview.com\/blog\/2012\/01\/27\/friday-prompt-writing-from-film\/","title":{"rendered":"Friday Prompt: Writing from Film"},"content":{"rendered":"<figure id=\"attachment_5109\" aria-describedby=\"caption-attachment-5109\" style=\"width: 524px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/lanternreview.com\/blog\/wp-content\/uploads\/2012\/01\/tree-of-life11.png\"><img decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-5109   \" title=\"tree-of-life1\" src=\"http:\/\/lanternreview.com\/blog\/wp-content\/uploads\/2012\/01\/tree-of-life11-1024x497.png\" alt=\"\" width=\"524\" height=\"254\" srcset=\"https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/01\/tree-of-life11-1024x497.png 1024w, https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/01\/tree-of-life11-300x145.png 300w, https:\/\/www.lanternreview.com\/blog\/wp-content\/uploads\/2012\/01\/tree-of-life11.png 1341w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><\/a><figcaption id=\"caption-attachment-5109\" class=\"wp-caption-text\">An image from THE TREE OF LIFE<\/figcaption><\/figure>\n<p>I&#8217;ve seen two fascinating films recently, both of whose images and underlying attitudes have seeped (mysteriously, inexplicably) into my work. \u00a0The first is <em><a href=\"http:\/\/www.imdb.com\/title\/tt0478304\/\" target=\"_blank\">The\u00a0Tree of Life<\/a><\/em>, whose cosmic interludes (and I mean this literally: one minute you&#8217;re observing a family at a dinner table and the next you&#8217;re panning across sunspots and galaxies&#8230; or maybe a child&#8217;s conception?) and drifting trajectories through time make you feel like you&#8217;re living\u00a0<em>inside <\/em>a <a href=\"http:\/\/www.poetryfoundation.org\/bio\/jorie-graham\" target=\"_blank\">Jorie Graham<\/a> poem. \u00a0The second is <em><a href=\"http:\/\/www.imdb.com\/title\/tt1588895\/\" target=\"_blank\">Uncle Boonmee Who Can Recall His Past Lives<\/a><\/em>, a lush, sometimes perplexing film whose primary effect was to draw me back into the sounds and mythologies of my childhood in Southeast Asia.<\/p>\n<p>What I found after watching these films, <em>Uncle Boonmee <\/em>in particular, was that certain scenes began to haunt me, such that while drafting entirely unrelated poems I would start stitching lines together from the perspective of a character in a movie, or with an emotional pitch keyed to a particularly memorable scene. \u00a0Weirdly enough, I found this productive; elements of the poems derived, however indirectly, from these films turned out to be not at all foreign to the impulses of the overall piece.<!--more--><\/p>\n<p>I&#8217;ve watched documentary films to fuel my poetry before, mostly to capture a sense of the figures who populate historical moments I&#8217;m fascinated by (and removed from), but this was different. \u00a0This was a less linear process, because rather than engaging film as a purely communicative medium, I had allowed myself to stew, so to speak, in the visual rhythms and narrative dynamics of a piece, then emerged to transmute these impressions into writing.<\/p>\n<p><strong>Prompt:\u00a0<\/strong><\/p>\n<p><strong>Think back on a film you&#8217;ve seen recently (or watch one of the two I&#8217;ve mentioned here) and recall some of your dominant feelings and impressions. \u00a0Which elements of the film now haunt you? \u00a0Was it the quality of the light in a particular scene, or the look on a character&#8217;s face as they came to realize something? \u00a0Think about particular moments or images that have &#8220;lodged,&#8221; so to speak, in the sticky web of your poetic sensibility, then start writing&#8212;from <em>within<\/em> the world of the filmmaker&#8217;s\u00a0art.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve seen two fascinating films recently, both of whose images and underlying attitudes have seeped (mysteriously, inexplicably) into my work. \u00a0The first is The\u00a0Tree of Life, whose cosmic interludes (and I mean this literally: one minute you&#8217;re observing a family at a dinner table and the next you&#8217;re panning across sunspots and galaxies&#8230; or maybe [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false},"categories":[13],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/5107"}],"collection":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/comments?post=5107"}],"version-history":[{"count":9,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/5107\/revisions"}],"predecessor-version":[{"id":5118,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/posts\/5107\/revisions\/5118"}],"wp:attachment":[{"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/media?parent=5107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/categories?post=5107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lanternreview.com\/blog\/wp-json\/wp\/v2\/tags?post=5107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}