Becoming Realer: Visible

Becoming Realer: Identity, Craft and the MFA is a column that explores issues of poetry, theory and writing craft in relation to the personal experiences of Saint Mary’s College of California Creative Writing MFA candidate and LR staff writer, Kelsay Myers.


Elaine Gin Louie's "Visible" and "The Red Frame" installations, photo taken by Nicole C. Roldan


One of the things that my advisor likes about living in San Francisco is that there’s something for everyone. She says that no matter how weird or specific the interest seems to be, people are able to find each other. Since moving to the East Bay, I’ve joined two organizations. One is the Association of Korean Adoptees | San Francisco (AKASF) that hosted a literary reading with Lee Herrick, Jo Rankin and some authors from the new More Voices anthology in May. It’s a large group of Korean adoptees celebrating and educating others on what it means to be a KAD. The other is the Asian American Women Artists Association (AAWAA) that sponsored the A Place of Her Own art exhibition at SOMArts, also in May, with the Asian Pacific Islander Cultural Center (APICC) for the 14th Annual United States of Asian America Festival. Twenty-three Asian American women artists responded to the question, “If you had a place of your own, what would it be?”

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