This groundbreaking anthology spans a wealth of different faith traditions, heritages, and experiences. From Kazim Ali to Li-Young Lee (and our own Mia Ayumi Malhotra, as well), the start-studded lineup featured here has earned it star billing on my (Iris’s) to-read list.
Although this book is prose rather than poetry, it felt like an apt pick for APA Heritage Month! I first heard Hong read an excerpt of it—an essay about Teresa Hak-Kyung Cha—at the Smithsonian’s Asian American Literature Festival in 2019. As with her poetry, Hong’s prose is unflinching, powerfully considered, and masterfully nuanced. I’m definitely looking forward to reading the rest.
Schizophrenia (literally, “to split the mind”) is defined as a breakdown in relation between thought, emotion and behavior, leading to a sense of mental fragmentation (Oxford American Dictionaries). While fragmentation and the diasporic experience are hardly strangers within the lineages of Asian American literature, Bhanu Kapil’s Schizophrene maps crucial connections between schizophrenia, im/migration, racism, trauma and mental illness. This book arcs through the air in a perpetual state of departure, “[a]nd the line the book makes is an axis” (5) around which perception begins to whirl. Without much visual formatting on the page, we see that the whole image is broken. What is extraordinary about Kapil’s writing is that we experience it as a texture—the psychosis of her narrative registers in us as a sensation.
Partition, schism. Split or division, cleft. Schizophrene focuses on the Partition of British India in 1947 “and its trans-generational effects: the high incidence of schizophrenia in diasporic Indian and Pakistani communities; the parallel social history of domestic violence, relational disorders, and so on” (1). Kapil’s research into migration and mental illness can be traced back to her chapbook Water-damage: a map of three black days (Corollary Press, 2006), in which previous versions of some of the text in the “Partition” section of Schizophrene appear.
In Water-damage Kapil chooses an informative epigraph from Elizabeth Grosz’ Architecture from the Outside: “The psychotic is unable to locate himself or herself where he or she should be: such subjects may look at themselves from the outside, as others would…They are captivated and replaced, not by another subject…but by space itself.” Replaced by space itself, occupied. Replaced by segregated grids and militarized nation-state borders, lines that “split the mind.” “Because it is psychotic not to know where you are in a national space” (41), Kapil cradles the colonized psyche, imprinted by occupation, in her hands.