Happy Wednesday! We hope you’re staying warm and cozy this frosty January day, especially those of you who are bracing for winter storms out East this week. It’s been a season full of transition for us here at LR, but we’ve really been enjoying leaning into the seasonal rhythm of writing for our new, quarterly email newsletter, Lumen. And today, we’re super excited to announce that the second installment of Lumen will be hitting our subscribers’ inboxes next Monday!
Lumen No. 1 focused on prompts and exercises for renewing one’s writing practice with the turn of the seasons, but Lumen No. 2 will be dedicated to considering the turn of the year—and specifically, the practice of setting intentions for our writing lives this year.
Just what is an intention? Here is a little sneak peek from the newsletter to explain:
“Different from a goal or a resolution, an intention is more about calling a season into being or simply naming it for what it already is. An intention may be about realigning one’s perspective; refocusing one’s attention with renewed intensity; or even aspiring to sustain a rhythm of growth or rest in one’s day-to-day life. Intentions are not meant to have quantifiable end results—rather, they’re are meant to guide and center us throughout a course of time in one’s life.”
LR editors Mia and Iris will be sharing some of their own intentions as they consider where 2017 took their writing lives and where they hope to go in 2018. We hope that those of you who are already subscribed will join us in thinking about how we can each approach our writing practices with greater purpose and grace this year—and if you’re not already a Lumen subscriber, there’s still time to make sure you don’t miss out! Simply click here or on the image at the top of this post to sign up
A very happy, healthy New Year (and Year of the Dog) to you and yours—and may your writing in 2018 be filled with light, joy, and inspiration.
Hello, LR community! It’s great to be back from DC. The Smithsonian APAC’s Asian American Literature Festival two weekends ago was a truly amazing experience, beautifully tying together multiple literary generations, styles, and sub-communities (from spoken word to critical scholarship) in the best way possible. We loved getting to catch up with old friends and had lots of fun meeting new faces in the literary lounge, where we were overwhelmed by your outpouring of support and enthusiasm. Thank you for making us feel so welcome!
As promised, we have some exciting news to share today. As announced at the festival, Lantern Review is getting a newsletter! There have been a lot of changes for us at LR these last few years, and we’ve been searching for a way to bring both more sustainability and more intimacy to what we do. The blog and the magazine are wonderful, but they require a lot of lead time due to the editorial process, and we’re not always able to deliver content to you with the sort of immediacy we’d like. Hence, we’ve created Lumen, a smaller-scale extension of LR that is sent right to your email inbox.
Lumen is not just your standard newsletter. As a subscriber, you’ll get more than just updates; you’ll have access to exclusive content, including writing prompts, meditations on craft and writing practice, teaching ideas, tips on publishing, reading recommendations, and more. We’d like to envision Lumen as a living-room chat between friends, a catch-up over an afternoon cup of tea or coffee. You can think of it as the blog’slittle sister, with the type of content that we have always provided, but with a more intimate format and feel.
So what does this mean for LR? Certainly, neither the blog nor the magazine is going away anytime soon. But the distribution of our editorial energy will be shifting a little. You’ll continue to see news and occasional full-length posts on the blog, but whereas we were very focused on the blog in the past, we now want to pour more of our energies into the magazine itself, so we’ll be concentrating on putting out more of our supplementary content via Lumen in the hopes of building toward a next issue sometime in the near future. Because we’re still experimenting with this new format, Lumen will come out quarterly for now, but if we feel that there is enough momentum to produce more installments, we may decide to increase the frequency of publication.
If you came by our table at the AALF, you should already be subscribed (if you haven’t received a welcome email yet, please check your spam or updates folders, or email us at editors [at] lanternreview [dot] com). And if not, getting linked up with Lumen couldn’t be easier. Simply fill out the form below, and you’ll receive a confirmation email in your inbox. Once you’ve confirmed your subscription, you’re all set! As a little thank-you gift for signing up, you’ll get access to a digital Little Poetry Flight created exclusively for Lumen subscribers, featuring work from Sally Wen Mao, Neil Aitken, and R. A. Villanueva. (Please note that even if you were receiving emails from us before as a contributor, you’ll need to sign up for Lumen directly, as it is an entirely different list).
We’re so very grateful for all of your continued support and are excited to build LR out in new directions through Lumen and more.We hope you’ll come along with us for the ride!
Hello, internet! It’s been a while. But here we are, at last, and with an exciting update for you: this week, we are packing our bags and heading out to Washington, D.C. for the Smithsonian’s inaugural Asian American Literature Festival! We’re so excited to get to participate in this historic event, featuring (among other things) readings and mentoring sessions by Kundiman and the release of Poetry’s new Asian American issue (guest edited by past LR contributors Tarfia Faizullah and Timothy Yu). If you live in the DC area or are planning on traveling in for the festival, we hope you’ll come visit us at our table in the literary lounge (see the schedule for exact locations, as the festival’s venue changes each day). In typical LR fashion, we’ll be offering a special interactive experience to everyone who stops by to say hello: for this event, we’re hosting self-guided poetry “microtastings” that we’re calling “Little Poetry Flights.” If you’re familiar with the concept of a wine flight or a cheese flight, you’ll know immediately what we mean by this, but if not, here’s how they work: Little Poetry Flights are small groupings of poems from our archives that we’ve curated by theme and/or context in order to create unique poetry “tasting” experiences. If you stop by our table at the festival, Iris will chat with you and personally recommend a flight that best suits your interests. You’ll then be able to use your mobile device to read the flight of your choice, either on the spot or later on at your leisure.
We’ll also be debuting a bit of big news about the future of LR at the festival. Our official announcement about this won’t appear on the blog until later in August, so especially if you want to be the first to find out about what’s on the horizon for us, please stop by and say “hello”!
We’ve missed our community of readers and are looking forward to connecting with you in person next weekend. We hope we’ll get to see some of you at our table as well as at some of the many fantastic events that the organizers have planned. And if you’re just hearing about this now and live in the DC area, never fear—it’s not too late! The festival is free and open to the public; you can find out more information below:
Are you planning on going to the Smithsonian AALF? If so, what events are you most excited about? Leave a comment to let other LR community members know which readings and other happenings are at the top of your must-see list.
Happy Friday, APA poetry lovers! We have an exciting bit of news to share with you this morning: in exactly a week, we’ll be heading up to San Francisco to be a part of one of the biggest APA arts events in the Bay. This year, Lantern Review is delighted to have the opportunity to copresent the literary arts showcase for Kearny Street Workshop‘s annual APAture festival, featuring poet Jade Cho, author of In the Tongue of Ghosts (First Word Press, 2016).
Now in its fifteenth season, APAture, whose name plays on the photography term “aperture,” takes as its mission the goal of amplifying APA artists and giving them a stage on which to provide focus and context to their work. Fittingly, this year’s theme, “Here,” was chosen to emphasize, among other things, “the importance of APA space and community” (in the organizers’ words), even as the festival itself provides a space for investigation and celebration of the intersection of arts and social justice, innovation and disruption.
For us at LR, as we continue to ease into this new, Bay Area based season of our existence, the word “here” has never felt more relevant. Before our relaunch this past spring, “here” for us quite literally meant nowhere. Mia lived on one coast, while I (Iris) bounced around from the Midwest to the East Coast to the South, and our contributing staff writers lived everywhere in between. We often used to tell people who asked that we were “based on the internet.” But when we restarted LR early this year after a cross-country move that serendipitously brought us together in the Bay Area, “here,” for the first time, became somewhere. And in the months that have followed, the experience of getting to dwell within the space of a real, physical “here” has been wonderful. From getting to host our first physical NPM collaboration in SF, where we witnessed the words and voices of six local APA poets filling up the space of the American Bookbinders Museum; to finally having the ability to sit down face to face with local LR community members for casual meals and creative exchange on a regular basis—the moments of focus provided for us in this last year by receiving from existing local community spaces and building up new ones have been havens; little islands of light dotting the everyday shoals of the necessary things we do in order to keep the lights on. “Here,” for so many years, was whatever we made of it. But at least for this small, precious sliver of current time, having a “here”—a home base, a place in which to let LR dwell and take root—has been invaluable.
Throughout our history at LR, place and awareness of the liminality of “home space” for APA writers has been of utmost concern to us—it’s why we founded LR in the first place. And so, we’re beyond honored to partner with KSW, a storied organization that has been a crucial part of our new “here” and that has worked for years to build and facilitate “home space” for APA arts community in the Bay, to copresent the literary arts showcase at APAture 2016: Here.
A multi-day festival featuring more than sixty up-and-coming Asian Pacific American artists in fields such as comics and illustration, film, literary arts, music, performing arts, and visual arts, APAture will take place from September 30th through October 15th at various locations throughout San Francisco. We encourage you to check out as many of the showcases and performances as you can, but in particular, we hope you’ll come join LR next Friday at the literary showcase, where Oakland-based featured poet Jade Cho will mesmerize with powerful work that explores diaspora, race, gender, ghosts, and the intersections of power and privilege. It will definitely be a can’t-miss event, and we are beyond excited to get to be there, saying a few words about LR and community and hanging out at our little table.
More information about the festival can be found here. Tickets can be purchased here.
Even if you can’t make the festival, we hope you’ll check out the KSW website for more information about its programs and outreach throughout the year, or that you might even consider helping to financially support APAture via its current IndieGoGo campaign. KSW and APAture are vital pillars of the APA arts scene in the Bay Area, and their tireless work has been integral in making the notion of a home space for APA artists in the Bay possible since 1972.
So how about it: Will you come be a part of our “here” by joining us at the APAture literary arts showcase next Friday? We certainly hope that your answer will be “yes”!
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This post was produced in partnership with Kearny Street Workshop. For more information about the APAture festival or about KSW itself, we invite you to check out their website at www.kearnystreet.org. For information about next Friday’s featured performer, Jade Cho, please visit her online at jadecho.tumblr.com.
We’re excited to announce that we have a guest post up on the American Bookbinders Museum’s blog this afternoon. LR editor Iris writes about the history of the chapbook and its importance to the modern poetry scene and describes four chapbooks by some of the poets who are featured in our ongoing collaboration with the museum for National Poetry Month:
Click on over to read about Monica Mody’s Travel and Risk, Barbara Jane Reyes’s For the City that Nearly Broke Me, Candy Shue’s You Know Where You’ve Been By Where You End Up, and Debbie Yee’s Handmade Rabbit Society, and please don’t forget to stop by the museum tomorrow night (Thursday, April 21st), where we’ll be taking over their Third Thursday event series with more work by Monica, Barbara, Candy, Debbie, Jason Bayani, and Brynn Saito. You’ll get the chance to view pieces that each poet read last Saturday, to respond in writing, and to construct and bind a mini chapbook of your own to take home.
For more information, please see the Facebook page for the event as well as our previous blog post that describes our collaboration with the museum in more detail. And if you’re enjoying our focus on the chapbook, stay tuned for a dual interview about the chapbook with poets Margaret Rhee and Chen Chen next week. There’s plenty of goodness still to come before National Poetry Month is up!
Happy National Poetry Month! We’re back from AWP Los Angeles and are ready to take on April full-steam ahead.
This month, we are pleased to announce that Lantern Review is collaborating with the American Bookbinders Museum, a new and incredibly unique space in San Francisco that’s dedicated to the history of bookbinding, to celebrate National Poetry Month. Together with the museum, we’ll be producing two special events that showcase Asian American poetry in conversation with bookmaking and the printed page:
On April 16th at 7 pm, we will be hosting a reading at the museum featuring six award-winning Asian American poets (Barbara Jane Reyes, Brynn Saito, Debbie Yee, Candy Shue, Jason Bayani, and Monica Mody) who will be presenting work that explores the thematic connections between bookbinding, paper, Asian American history, and the San Francisco Bay Area itself. Books will be for sale after the reading, and poets will be available to sign copies for audience members. Admission is $5.00 ($2.50 for students, children under 10 free; no one will be turned away for lack of funds), with all proceeds going toward supporting the museum’s operations. (Please see our Facebook event for this reading here.)
We also invite you to join us on April 21st from 5:30 to 8:00 pm, when we’ll take over the museum’s regular Third Thursday event with more Asian American poetry. For this free, public, drop-in event, mounted broadsides of some of the poems read on the 16th will be on display in the museum’s gallery, and visitors will be able to interact with and respond to the work in the context of the binding and printing machines and archival materials in the gallery by creating hand-crafted mini poetry chapbooks of their own. (Please see our Facebook event for this evening here.)
Both events will take place in the American Bookbinders Museum’s building at 355 Clementina Street, San Francisco, CA 94103. If you’re based in the Bay Area, we hope you’ll be able to come out and join us on one or both evenings! We are so excited to get to partner with the museum and (now that we are officially based in the Bay) are thrilled to have the opportunity to celebrate Poetry Month by highlighting some of the amazing Asian American poetry that is being produced right in our backyard.
What will you be doing to celebrate National Poetry Month this year? Will you be attending any local events celebrating Asian American poetry in your community? Please let us know about them in the comments, on Twitter, or on Facebook—we’d love to help you spread the word!
It’s that time of year again! AWP 2016 starts this week, and as has been our tradition in the past, we’ve put together a guide to APIA poetry-related happenings at the conference, featuring panels, readings, and offsite events that might be of interest to our readers, below. As a bonus, we’ve also created a free companion to the bookfair that you can download at the end of this post. So get out your planners and calendar apps! We hope you’ll find this information useful—but even more so, we hope you’ll enjoy getting to engage with the extraordinary wealth of events celebrating the creation, dissemination, and teaching of APIA poetry at AWP this year.
Please note: this list is by no means comprehensive. We have tried our best to curate a sampling of APIA poetry- and publishing-related items below, but we encourage our readers to check out any of the vast number of other panels, readings, and offsite events featuring individual APIA writers (including many past LR contributors) at the conference this year.
Where to Find Us
The Lantern Review team will be attending the conference this year, but unlike in previous years, we won’t be stationed at a table in the bookfair. Instead, you can find us floating around at some of the panels and readings listed below. We’ll also be selling books for Kundiman at the Literaoke offsite event on Friday night, and you can catch us at the Asian American literary caucus on Thursday evening. We’d love it if you stopped by to say “hello”!
Can’t make it out to Los Angeles for the conference but still want to be in the know? Follow us on Twitter or Instagram (@LanternReview) for live updates throughout the weekend.
That’s right—we’re back! We’ve officially ended our hiatus and are thrilled to announce that we’re rested and ready for this new season of Lantern Review.
For the very first time, our cofounders are living on the same coast, not to mention in the same geographic region: the San Francisco Bay Area! We look forward to discovering what it means to rebuild our editorial endeavor in the context of the Bay Area’s thriving literary arts scene, in the wonderful company of so many other editors, poets, publishers, and artists of color. We also foresee many more exciting opportunities to cultivate regionally based community, though we’ll continue to function with our national and international readership in mind.
Along with an eventual relaunch of the magazine, you can expect new, exciting content on our blog, which we’ll continue to update regularly, and a fresh look—which, hopefully, you’re already enjoying. We’re starting small, but, as before, our goal is to provide a clear, up-to-date sense of what’s happening in the Asian American poetry scene and areas of related interest.
Later this month, you can also expect to see us at AWP. We’ll be there, cruising the book fair, attending panels, and looking to connect with Lantern Review readers and contributors—both past and future. We’ll be posting more soon about where we’ll be during the conference, so if you plan to attend, be sure to look out for that information, and please come find us in LA!
For now, stay tuned for more updates on our blog, and if we don’t see you at AWP 2016, we hope we’ll get to hang out with you sometime in the Bay!
To our beloved readers and members of the LR community:
In the four and a half years since Lantern Review first came into existence, we’ve been incredibly blessed. Over the course of six issues and hundreds of blog posts, tweets, and Facebook interactions, we’ve seen this community grow from a tiny little magazine that was making a little noise in the APIA literary community to a tiny little magazine with a steady community of contributors and readers that spans continents, that gets to make bigger noise at events like AWP (through projects like this map and other collaborations with our APIA publishing colleagues), and that continues to blossom year by year. It’s been a busy last four and a half years. A fruitful last four and a half years. A season in which we’ve been continually humbled by the breadth and strength of the APIA lit community, and for which we are unspeakably grateful.
But, as it’s sometimes said, there is a season for everything. And now, it so happens, is a season in which we (the editors) need to rest for a little while. This is a decision that’s been some time in coming. We love this project deeply, love working on it together, and have loved seeing the magazine, blog, and surrounding community grow in the past four and a half years. But running a two-woman editorial operation of LR’s scale requires an enormous amount of time and attention, and as new developments in our personal and family lives have come to light over the course of the last year, we’ve simply found ourselves in need of a break. And so, as of today, we are putting Lantern Review (both blog and magazine) on extended hiatus.
We should emphasize, first and foremost, that this does not mean the ultimate end of LR. Think of this as a “sabbath” (or even as a sabbatical)—a season in which we take some time away to recharge—rather than as the closing of the door for good. At the moment, our plan is to take a year off and to meet again after that time has passed in order to reassess where we stand and whether we are ready to relaunch. We are hoping that by taking a step back to engage in some much-needed time for family, personal projects, and general self-care, we’ll be able to return, eventually, with fresh eyes and new energy.
Practically, this will mean that LR, and all of its avenues of output, will go dark for a time. All of our content to date will, of course, continue to be accessible through the blog and web site. But we will not be posting new blog updates or taking submissions for the next issue of the magazine for a while. Nor will we be tracking contributor news on social media (Facebook or Twitter) or (most likely) promoting the magazine at the AWP 2015 bookfair (though it is possible that we may attend as individual writers). We still have one upcoming event that we’re participating in during the month of May (a very exciting collaborative reading that we’ll be doing with several other APIA lit mags!), and we will be continuing to provide social media updates about that as more details become available. We will also continue to be accessible via email, which we will check intermittently (perhaps once a month) throughout the hiatus. And of course, we want to be available to respond to any immediate concerns you might have about how the hiatus might look, or how it will affect upcoming plans for the spring, so please don’t hesitate to email us if there’s a lingering question that is weighing on your mind (we will still be checking our account daily for the next couple of weeks).
We wouldn’t be here without our community, and it’s thanks to you and your constant support that the last four and a half years have been such an incredible joy. And so, it’s with nothing but bone-deep gratitude that we sign off for now. Thank you for demonstrating to us, over the years, the brilliance and diversity and freshness of the work being created within the context of the wonderfully messy, slippery, complex thing that is APIA poetry. We have learned so much about community, about compassion, about the beauty of collaboration, the importance of continued debate and discussion, and the necessity of poetry itself. Getting to edit Lantern Review and converse with you has challenged and matured us as much as individuals and artists as it has taught us how to be good editors. We encourage you not to let the momentum go—to keep writing and reading and talking about APIA poetry; to continue the discussions that have already begun here. We wish you all the best in the weeks and months to come and hope to see you again, eventually, on the other side. In the meantime, please keep on carrying the torch!
This morning, it’s our pleasure to announce that the sixth issue of Lantern Review is now live! Featuring poems by Michelle Chan Brown, Rachel Ronquillo Gray, Lee Herrick, Matthew Olzmann, Brynn Saito, Nicky Sa-eun Schildkraut, and Shelley Wong, and a special feature on translation in process that highlights the work of Fiona Sze-Lorrain and Don Mee Choi, Issue 6 is slim, but by no means short on quality. Even the cover art has a story of its own: the words that appear behind the negative space of the butterfly cutouts are actually pieces of text from one of the poems in the issue—Nicky Sa-eun Schildkraut’s “in the town of colorblind.” Issue 6 has been a joy to curate, and we are exceptionally proud of the cohesiveness and strength of the body of work that appears within its pages. We only hope that you’ll find it as utterly pleasurable to read as we found it to put together.
To enter the issue, click here or on the cover image at the top left of this post. We’d love to hear what you think about the issue, so leave us a comment or reach out to us on Twitter or Facebook to let us know. And of course, if you experience any technical issues while browsing, please don’t hesitate to drop us a line at editors [at] lanternreview.com at any time; we’re always grateful for your feedback and will do whatever we can to assist you in improving your reading experience.
A very happy Wednesday to you, and safe travels to those who are traveling to Seattle for AWP.
Many thanks, ever and always, for your continued support.